While issues of global competition and economic and cultural hegemony are certainly issues that must be considered in the development and deployment of AI, they are far from the only issues presented by AI in relation to culture.
How do in-house counsel and others managing the exchange of information throughout the global organization ensure the company is remaining compliant with copyright laws worldwide while continually evolving to meet the changing needs of the business? At T. Rowe Price, it begins with fostering a copyright-compliant culture.
The Copyright Office is understandably focused on recordation and registration which serve a variety of purposes, only one of which is the creation of a publicly available database of ownership.
South African President, Cyril Ramaphosa, issued his long awaited decision about the Copyright Law amendments sitting on his desk, and wisely sent the bill back to the Parliament based on the perceived constitutional infirmities as to both substance and process.
Piracy of content – whether it is textbooks, scholarly articles or monographs – produces no comic book heroes or heroines facing off against fleets or sailors. Instead, Powerful social media platforms have enabled piracy to be easy and widespread, even providing safe spaces for people to discuss how to circumnavigate our anti-piracy strategies.
Michael Healy, CCC’s Executive Director of International Relations takes a look at copyright developments in South Africa, Australia and Japan, along with a short update on the European Union as it relates to the Digital Single Market (DSM) copyright directive.
Many AI practices involve the ingestion of copyrighted content, including the content found in journals, newspapers, books and databases, the rights for which comprise CCC’s repertories available for licensing.