CCC is proud to partner with APM Music as a recommended music source in all communication needs.

“We know first-hand how incredible and diverse the music is, and we encourage our clients to explore the options as well,” Liz Bilodeau, CCC’s Sr. Global Alliances Manager said.

APM is a chosen source of music for 52 of the 2019 Emmy nominees.   The following are a few of the categories with projects that feature APM Music:

Emmy Nomination for Music Supervision

  • Better Call Saul: “Something Stupid” (AMC) – Thomas Golubić, Music Supervisor
  • Fosse/Verdon: “Life Is A Cabaret” (FX Networks) – Steven Gizicki, Music Supervisor
  • The Marvelous Mrs. Maisel: “We’re Going To The Catskills!” (Prime Video) – Robin
  • Urdang, Music Supervisor; Amy Sherman-Palladino, Music Supervisor; Daniel Palladino, Music Supervisor

The following are all of the Emmy-nominated projects featuring APM Music:

  • 30 for 30
  • American Horror Story: Apocalypse
  • Barry
  • Better Call Saul
  • Big Mouth
  • Black Monday
  • Black-ish
  • BoJack Horseman
  • Castle Rock
  • Cobra Kai
  • Crazy Ex-Girlfriend
  • Diners, Drive-Ins and Dives
  • Divide And Conquer: The Story Of Roger Ailes
  • Documentary Now!
  • Ellen’s Game Of Games
  • Escape at Dannemora
  • F Is For Family
  • Fosse/Verdon
  • GLOW
  • Gotham
  • House of Cards
  • How to Get Away With Murder
  • Insecure
  • It’s Bruno!
  • Jack Ryan
  • Late Late Show with James Corden
  • Late Show with Stephen Colbert
  • Modern Family
  • Mom
  • Ozark
  • Pen15
  • Pose
  • Ray Donovan
  • Rel
  • S.W.A.T.
  • Saturday Night Live
  • Somebody Feed Phil
  • Special
  • The Blacklist
  • The Good Place
  • The Kominsky Method
  • The Man In The High Castle
  • The Marvelous Mrs. Maisel
  • The Oscars
  • The Tick
  • The Twilight Zone
  • This Is Us
  • Veep
  • Warrior
  • What We Do In The Shadows
  • Who Is America?
  • Wonders of Mexico

Click here for the full list of Emmy nominees.


To explore use of APM in your company’s projects, click here.

Author: Tia Sommer

Since joining APM in 1995 Tia Sommer has thrived on learning about new markets for production music and figuring out the unique licensing needs to make everything fit. While her focus is now with agencies, post houses and all manner of corporate accounts, Tia has a history of jumping from one APM production arena to the next – working with cable, film, trailer houses, emerging and established recording artists, games, TV and studios, as well as with corporate, post production and government clients in both sales and sales-management roles.
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