A shift from analog to digital voices would lower production costs, lead to greater choice in titles, and mean a lot less work for Hollywood actors between pictures.
In August, Information Media Partners released its annual “Publishing Technology Report,” authored by Michael Cairns. CCC was among the companies and services covered in this report.
On Tuesday, October 26, the US Copyright Office, and the US Patent and Trademark Office are co-hosting a three-part discussion on “Copyright Law and Machine Learning for AI: Where Are We Now and Where Are We Going?”
After almost 20 years of informal and then formal meetings among various groups of stakeholders and then with members of Congress, the Copyright Act of 1976 was passed by Congress and signed into law by President Gerald Ford.
In the last post of this series, Dave Davis looks at the vast domain of the YouTube video & social media platform —which, lest we forget, is a major division of Google/Alphabet — and how its copyright aspect manifests in options for individual contributors.
With both researchers and the public looking at more information than ever before, it begs the question: has scholarly reading evolved in the age of electronic information, and what does it look like?